Happy Hippie
"Ask me" -do not fear perfection for you will never reach it-
Happy Hippie
+
fuck-yeah-feminist:

In which Jimmy Fallon nails it. 
fuck-yeah-feminist:

In which Jimmy Fallon nails it. 
fuck-yeah-feminist:

In which Jimmy Fallon nails it. 
+
zombiemiki:

Pikachu Oops! Merch Line-Up
The Pikachu Oops! spin-off goes on sale in Pokemon Centers in Japan on September 20th.
zombiemiki:

Pikachu Oops! Merch Line-Up
The Pikachu Oops! spin-off goes on sale in Pokemon Centers in Japan on September 20th.
zombiemiki:

Pikachu Oops! Merch Line-Up
The Pikachu Oops! spin-off goes on sale in Pokemon Centers in Japan on September 20th.
zombiemiki:

Pikachu Oops! Merch Line-Up
The Pikachu Oops! spin-off goes on sale in Pokemon Centers in Japan on September 20th.
zombiemiki:

Pikachu Oops! Merch Line-Up
The Pikachu Oops! spin-off goes on sale in Pokemon Centers in Japan on September 20th.
zombiemiki:

Pikachu Oops! Merch Line-Up
The Pikachu Oops! spin-off goes on sale in Pokemon Centers in Japan on September 20th.
Album Art
31,721 plays Source
+
kuroii-chu:

[秒速5センチメートル: Favorite scenes 5/?]
kuroii-chu:

[秒速5センチメートル: Favorite scenes 5/?]
kuroii-chu:

[秒速5センチメートル: Favorite scenes 5/?]
kuroii-chu:

[秒速5センチメートル: Favorite scenes 5/?]
+
+
zombiemiki:

Along with the Spooky Party promo, three new plush were announced for release in Pokemon Centers on September 9th - Pumpkaboo, Mega Gengar and Shiny Mega Gengar.
These plush should be available for order through Sunyshore for those interested.
(Source)
zombiemiki:

Along with the Spooky Party promo, three new plush were announced for release in Pokemon Centers on September 9th - Pumpkaboo, Mega Gengar and Shiny Mega Gengar.
These plush should be available for order through Sunyshore for those interested.
(Source)
+
moringmark:

Click or Drag
+
singingtomysoul:

arseniccupcakes:

SO MUCH LADY LOVE
I LOVE GISELLE YOU GUYS 

No, but what gets me in this movie
is that every woman is beautiful to Giselle.
Women who wear suits and aren’t cute and petite. Women with wide hips and large rear ends and small breasts. Women who are black and white and every other ethnicity she came across, I’m sure. Women with straight hair and natural hair and grey hair. Older women and middle-aged women and young women.
Everyone is beautiful to Giselle. There’s no reason anyone wouldn’t be beautiful. There’s no reason beauty should ever be just one thing, that being a princess should ever be just one thing.
Everyone is a princess to Giselle, and if one of the princesses politely corrected her and said they were a prince she’d probably nod earnestly and talk about how dashing and handsome they looked too.
singingtomysoul:

arseniccupcakes:

SO MUCH LADY LOVE
I LOVE GISELLE YOU GUYS 

No, but what gets me in this movie
is that every woman is beautiful to Giselle.
Women who wear suits and aren’t cute and petite. Women with wide hips and large rear ends and small breasts. Women who are black and white and every other ethnicity she came across, I’m sure. Women with straight hair and natural hair and grey hair. Older women and middle-aged women and young women.
Everyone is beautiful to Giselle. There’s no reason anyone wouldn’t be beautiful. There’s no reason beauty should ever be just one thing, that being a princess should ever be just one thing.
Everyone is a princess to Giselle, and if one of the princesses politely corrected her and said they were a prince she’d probably nod earnestly and talk about how dashing and handsome they looked too.
singingtomysoul:

arseniccupcakes:

SO MUCH LADY LOVE
I LOVE GISELLE YOU GUYS 

No, but what gets me in this movie
is that every woman is beautiful to Giselle.
Women who wear suits and aren’t cute and petite. Women with wide hips and large rear ends and small breasts. Women who are black and white and every other ethnicity she came across, I’m sure. Women with straight hair and natural hair and grey hair. Older women and middle-aged women and young women.
Everyone is beautiful to Giselle. There’s no reason anyone wouldn’t be beautiful. There’s no reason beauty should ever be just one thing, that being a princess should ever be just one thing.
Everyone is a princess to Giselle, and if one of the princesses politely corrected her and said they were a prince she’d probably nod earnestly and talk about how dashing and handsome they looked too.
singingtomysoul:

arseniccupcakes:

SO MUCH LADY LOVE
I LOVE GISELLE YOU GUYS 

No, but what gets me in this movie
is that every woman is beautiful to Giselle.
Women who wear suits and aren’t cute and petite. Women with wide hips and large rear ends and small breasts. Women who are black and white and every other ethnicity she came across, I’m sure. Women with straight hair and natural hair and grey hair. Older women and middle-aged women and young women.
Everyone is beautiful to Giselle. There’s no reason anyone wouldn’t be beautiful. There’s no reason beauty should ever be just one thing, that being a princess should ever be just one thing.
Everyone is a princess to Giselle, and if one of the princesses politely corrected her and said they were a prince she’d probably nod earnestly and talk about how dashing and handsome they looked too.
singingtomysoul:

arseniccupcakes:

SO MUCH LADY LOVE
I LOVE GISELLE YOU GUYS 

No, but what gets me in this movie
is that every woman is beautiful to Giselle.
Women who wear suits and aren’t cute and petite. Women with wide hips and large rear ends and small breasts. Women who are black and white and every other ethnicity she came across, I’m sure. Women with straight hair and natural hair and grey hair. Older women and middle-aged women and young women.
Everyone is beautiful to Giselle. There’s no reason anyone wouldn’t be beautiful. There’s no reason beauty should ever be just one thing, that being a princess should ever be just one thing.
Everyone is a princess to Giselle, and if one of the princesses politely corrected her and said they were a prince she’d probably nod earnestly and talk about how dashing and handsome they looked too.
singingtomysoul:

arseniccupcakes:

SO MUCH LADY LOVE
I LOVE GISELLE YOU GUYS 

No, but what gets me in this movie
is that every woman is beautiful to Giselle.
Women who wear suits and aren’t cute and petite. Women with wide hips and large rear ends and small breasts. Women who are black and white and every other ethnicity she came across, I’m sure. Women with straight hair and natural hair and grey hair. Older women and middle-aged women and young women.
Everyone is beautiful to Giselle. There’s no reason anyone wouldn’t be beautiful. There’s no reason beauty should ever be just one thing, that being a princess should ever be just one thing.
Everyone is a princess to Giselle, and if one of the princesses politely corrected her and said they were a prince she’d probably nod earnestly and talk about how dashing and handsome they looked too.
singingtomysoul:

arseniccupcakes:

SO MUCH LADY LOVE
I LOVE GISELLE YOU GUYS 

No, but what gets me in this movie
is that every woman is beautiful to Giselle.
Women who wear suits and aren’t cute and petite. Women with wide hips and large rear ends and small breasts. Women who are black and white and every other ethnicity she came across, I’m sure. Women with straight hair and natural hair and grey hair. Older women and middle-aged women and young women.
Everyone is beautiful to Giselle. There’s no reason anyone wouldn’t be beautiful. There’s no reason beauty should ever be just one thing, that being a princess should ever be just one thing.
Everyone is a princess to Giselle, and if one of the princesses politely corrected her and said they were a prince she’d probably nod earnestly and talk about how dashing and handsome they looked too.
singingtomysoul:

arseniccupcakes:

SO MUCH LADY LOVE
I LOVE GISELLE YOU GUYS 

No, but what gets me in this movie
is that every woman is beautiful to Giselle.
Women who wear suits and aren’t cute and petite. Women with wide hips and large rear ends and small breasts. Women who are black and white and every other ethnicity she came across, I’m sure. Women with straight hair and natural hair and grey hair. Older women and middle-aged women and young women.
Everyone is beautiful to Giselle. There’s no reason anyone wouldn’t be beautiful. There’s no reason beauty should ever be just one thing, that being a princess should ever be just one thing.
Everyone is a princess to Giselle, and if one of the princesses politely corrected her and said they were a prince she’d probably nod earnestly and talk about how dashing and handsome they looked too.
+
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
asylum-art:

The Culinary Curios of Dirk Staschke,  Sculptures by Dirk Staschke
Facebook

Award winning Canadian ceramicist Dirk Staschke will be opening an enticing show at the Bellevue Arts Museum in Washington this March, entitled “Falling Feels A lot Like Flying.” Showing a specially made exhibition of bountiful-to-the-point-of obscene food tableaus, Staschke’s work is notable for its large scale size and impressively realistic depictions of abundant stacks of desserts, king’s table cornucopias, and strings of strung up animals about to be prepared for the table.
Inspired by 16th century Vanitas paintings and the opulence of the Baroque period, Staschke’s work mixes extravagant decadence with a sense that such seductive overindulgences are on the cusp of deteriorating and our age of excess and over consumption may be about to crash and burn.
Photo: Courtesy of the artist
+